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| Article | Author | Page |
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Foreword | |
5 |
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Misinterpreting the Other: Music as Conflict in Ian McEwan’s
Amsterdam and On Chesil Beach |
Monica COJOCARU | 9 |
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A Symphony of Narrative Voices in Rose Tremain’s Music
and Silence |
Cristina CHIFANE |
23 |
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Music Against Horror: H.P. Lovecraft and Schopenhauer’s
Aesthetics |
James MACHIN | 38 |
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Transcultural Awareness through Music in Anita Desai’s
Clear Light of Day |
Adriana Elena STOICAN |
51 |
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World-Creation Through Music: Tolkien's 'Ainulindalë', in
The Silmarillion |
Sorin UNGUREAN |
69 |
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On Music and Old Age: An Exercise |
Sorin ŞTEFĂNESCU |
84 |
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On Musicality: John Banville’s The Sea and Beethoven’s
“Meeresstille und Glückliche Fahrt” |
Ana-Karina SCHNEIDER | 94 |
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| ‘“Reelin’ an’ a-rockin’”: Adrian Henri and
1960s Pop |
Helen TAYLOR | 109 |
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| A Testament of Change Melting into Song |
Clementina MIHĂILESCU | 126 |
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| Robert Schumann between Jean Paul and
Goethe |
Valentina SANDU-DEDIU | 134 |
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| Fairy and Human Mischief – Shakespeare’s
A Midsummer Night’s Dream Translated into Music by Purcell,
Mendelssohn, Thomas, Britten, Orff and Bentoiu |
Alina BOTTEZ | 146 |
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Notes on Contributors | |
168 |
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Guidelines for
Contributors |
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